Every piece here answers to one standard: built, not just designed. We hold the whole chain — strategy, design, fabrication — so we are accountable to the physical result: the thing that hangs, drives, and survives the weather. The commissions below span vehicles, aircraft, storefronts, interiors, and event grounds. Los Angeles, primarily; national engagements, selectively.
The proof
01 — Exterior Wall Wrap
An exterior wall wrap for one of the most recognized names in eyewear. Ray-Ban needed a surface that could carry the brand at architectural scale, and large-format work is unforgiving — seams, texture, and light all tell on the finish. The wrap was measured, printed, and finished to the wall it lives on, not to a template, so it reads clean from across the street and holds its color up close. A brand this established asks for restraint, executed exactly.
02 — Private Plane Wrap
A Beechcraft King Air 350i, wrapped as the flagship of a working brand. Alder Law / ZA Lawyers brought us an aircraft — compound curves, strict tolerances, no forgiving angles — and we carried the firm's identity onto it in full. A plane wrap is the purest test of the thesis we work by: the design means nothing until it is fabricated precisely and holds at altitude. The same visual system that moves the firm's vehicles on the ground flies here, which is exactly how a brand system should behave.
03 — Mobile-Office Van Wrap
The ground counterpart: a Mercedes-Benz mobile-office van for the same firm. The van works the way a good system does — one identity, restated precisely on a new surface, so the firm arrives looking like itself. It sits within our vehicle wrap practice: measured to the panel, printed at our Lynwood production facility, and finished so doors, seams, and hardware read as part of the design rather than interruptions to it. Two commissions, one client, no translation errors between them.
04 — Big-Rig Wrap, Holographic Vinyl
A Peterbilt big rig in holographic vinyl for Smark Chem Industries. Holographic film shifts with light and angle, which makes it spectacular on the road and demanding on the production floor: every panel is planned so the effect moves with the truck instead of fighting it. The result is a working vehicle that earns a second look at seventy miles an hour — proof that fleet graphics can be a brand's most visible asset rather than an afterthought. A finish made for daily miles.
05 — Full Vehicle Wrap
A full wrap on a Chevrolet Tahoe for Iron Hooks Fight. A brand built on discipline deserved a vehicle treated with the same: full coverage, tight registration, and artwork composed for the Tahoe's actual geometry rather than dropped onto it. Vehicle work of this kind is typically ready two to three weeks from approval — a short window for a piece that then does its job every day it is on the road, in traffic, in weather, in front of everyone.
06 — Branded Restaurant Interior
A branded restaurant interior for Umiai Hand Roll & Sake Bar: curated wall art and dimensional signage composed into one room. An interior is where a brand is experienced at arm's length, so restraint matters — each piece was chosen to serve the meal rather than compete with it. This is the quiet center of our branded environments work: not decoration applied to a space, but a system the space expresses, from the first sign a guest reads to the wall behind their table.
07 — Retail Environment
Retail branding in full for Tropicanna: a custom wall wrap, dimensional signage, and retail displays produced as one commission. Retail is where the pieces either compound or collide — a wall that agrees with the signage that agrees with the displays reads as intention; anything less reads as a list of vendors. Because strategy, design, and fabrication live under one roof here, everything in the room came from the same system, on one order, one timeline, and one point of contact.
08 — Wall Art, Signage & Neon
Custom wall art, dimensional signage, and a neon sign for Walker Drawas — a space that hosts brands for a living, which raises the bar for its own. Neon is exact work; it either sits inside a composition or dominates it, and here it anchors the room without shouting. The dimensional lettering belongs to the same discipline as our storefront and commercial signage: designed to the wall, fabricated to the millimeter, and made to hold its finish under daily use.
09 — LED Dimensional Sign
An LED dimensional sign for Lashbrow. A single sign is often a client's first commission with us — we take one-off pieces selectively, where the craft can show — and this is the kind that shows it: even illumination, clean returns, letterforms that hold their edge lit or unlit. Some of our longest engagements began with exactly one piece like this. A sign built well argues quietly for the system behind it; storefront signage of this kind typically runs four to six weeks.
10 — Wallpaper & Dimensional Signage
Custom wallpaper and dimensional signage for Chick Me Out. Wallpaper is pattern at architectural scale — it has to repeat without tiring and align without the seams telling — and pairing it with dimensional lettering asks two very different fabrication disciplines to agree on one wall. They agree here because both came off the same design system and the same production floor. The result is a small environment with a memorable amount of character, which is precisely the point of retail branding at this scale.
11 — Full Event Activation
A full event activation for Virginia Country Club: branded experiences, tents, flags, event signage, keepsakes, custom packaging, and invitations — one visual system carried across everything a guest touched. An event is the most compressed form of brand work; there is one day, and everything must hold on it. It is why our event activation calendar is reserved eight or more weeks ahead, and why we have been trusted with more than one hundred events. The difference between an event that is branded and one that merely has logos is the system underneath.
20+ years · 100+ events branded · Los Angeles
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